20 results where found for «Futuristic Anthem (Himno futurista)»

The Little Fence (La rejita)

Music piece by:
lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
Testimony by:
Lucía Chirinos
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, October 1973 - April 1974
Tags:
« Let’s get going, would say “the lizards”, as we called the policemen, because they dress all in green. »
[...]
« After singing 'La rejita' in Mass, the squaddies of the Regiment and the priest asked us to sing it again. It became an anthem, a hit. »
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Free (Libre)

Music piece by:
José Luis Armenteros and Pablo Herrero, popularised by Nino Bravo.
Testimony by:
Marianella Ubilla
Experience in:
Campamento Prisioneros Estadio Regional, Christmas 1973
Tags:
« I was taken prisoner on 23 November 1973, at the University of Concepción. In the Regional Stadium of Concepción, we had to sing the National Anthem every day. »
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Ode to Joy (Himno a la alegría)

Music piece by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Renato Alvarado Vidal
Experience in:
Campamento de Prisioneros Cuatro Álamos, 1975
Tags:
« Once upon a time, there was a good little wolf. … No. That’s another story. »
[...]
« And of course, I listened to it, and I sang it. I am a dreadful singer. Once, at Puchuncaví concentration camp, they noticed that out of 320 singers I was the one singing the National Anthem out of tune. But at this moment I sang, I joined my comrades’ chorus with all my might, and I sang, I sang away all my joy at staying alive and still being on my feet. »
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The Little Fence (La rejita)

Music piece by:
lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
Tags:
« We always sang this song when we were taken to Regimiento Arica. That was a torture centre. »
[...]
« On our departure and return, the female prisoners who remained behind also sang the song. The lyrics were a collective effort, it was like our anthem. It was fun and we really liked it. »
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Everything Changes (Todo cambia)

Music piece by:
Julio Numhauser
Testimony by:
Carolina Videla
Experience in:
Cárcel Pública de Arica, 1989-1990
Tags:
« My guitar accompanied me for the entire time that I was deprived of freedom. It was like a magnet. In the afternoon we would sing and play in the courtyard. »
[...]
« 'Todo cambia' ('Everything Changes') was the anthem of the afternoons and was always sung. Everyone knew the song after a couple of months. It was like a timeout, everyone’s hope. »
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Moments (Los momentos)

Music piece by:
Eduardo Gatti
Testimony by:
Scarlett Mathieu
Experience in:
Campamento de Prisioneros, Tres Álamos, 1974
Tags:
« ‘Moments’ was a song sung by the female comrades whose partners were imprisoned on the other side of Tres Álamos, or were fugitives or disappeared. We all sang it, but it was like their anthem. »
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Lili Marlene

Music piece by:
Hans Leip
Testimony by:
Renato Alvarado Vidal
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, May - Octobre 1975
Tags:
« During the daily flag-lowering ritual in the camp Melinka, the prisoners first had to get into formation in the courtyard and then walk in line to the location of the mast. »
[...]
« This manoeuvre was carried out while singing to the beat, then they would get into formation again and sing the National Anthem while the national banner was being lowered to spend the night in safety. »
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Trim the Sails (Brazas a ceñir)

Music piece by:
Luis Mella Toro
Testimony by:
César Montiel
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« The Navy sailors made us sing every day, when we got up very early to raise the flag. We, as the squaddies, had to sing military songs, their songs. »
[...]
« One of the songs was ‘Brazas a ceñir’ (Trim the Sails), the hymn of the Army. We had to sing loud and spirited, as they said. We also had to sing the anthem ‘Lili Marlene’. Those who didn’t would receive a kick in the butt or a kick of the rifle. »
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Ode to Joy (Himno a la alegría)

Music piece by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Luis Madariaga
Experience in:
Cárcel de Valparaíso, 1974 - 1976
Tags:
« In prison, we would sing the 'Ode to Joy' when a comrade was released or sent to exile. »
[...]
« Ode to Joy (Himno a la alegría) »
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Ode to Joy (Himno a la alegría)

Music piece by:
original by Friedrich von Schiller (lyrics) and Ludwig van Beethoven (music). Free version in Spanish by Amado Regueiro Rodríguez, aka Orbe (lyrics) y Waldo de los Ríos (music), popularised in Chile by Miguel Ríos.
Testimony by:
Amelia Negrón
Experience in:
Campamento de Prisioneros, Tres Álamos, 31 December 1975
Tags:
« Preparations for that Wednesday night became more intense. It would be a different night. We women prisoners had secretly organised ourselves, but more importantly, we had also coordinated with the male prisoners. »
[...]
« Ode to Joy (Himno a la alegría) »
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